《非遗里的中国》传统技艺焕新-百度问一问

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《非遗里的中国》传统技艺焕新《蝶恋花·灯火钱塘三五夜》原文翻译及赏析_作者苏轼灯火钱塘三五夜明月如霜照见人如画帐底吹笙香吐麝更无一点尘随马寂寞山城人老也击鼓吹箫却入农桑社火冷灯稀霜露下昏昏雪意云垂野
《倦寻芳慢·露晞向晚》原文翻译及赏析_作者王雱露向晚帘幕风轻小院闲昼翠迳莺来惊下乱红铺绣倚危墙登高榭海棠经雨胭脂透算韶华又因循过了清明时候倦游燕风光满目好景良辰谁共携手恨被榆钱买断两眉长斗忆高阳人散后落花流水仍依旧这情怀对东风尽成消瘦
《雪梅·其二》原文翻译及赏析_作者卢梅坡有梅无雪不精神有雪无诗俗了人日暮诗成天又雪与梅并作十分春古今不少诗人往往把雪梅并写雪因梅透露出春的信息梅因雪更显出高尚的品格如毛泽东卜算子咏梅中就曾写道风雨送春归飞雪迎春到已是悬崖百丈冰犹有花枝俏俏也不争春只把春来报待到山花烂漫时她在丛中笑雪梅都成了报春的使者冬去春来的象征但在诗人卢梅坡的笔下二者却为争春发生了摩擦都认为各自占尽了春色装点了春光而且谁也不肯相让这种写法实在是新颖别致出人意料难怪诗人无法判个高低诗的后两句巧妙地托出二者的长处与不足梅不如雪白雪没有梅香回答了骚人阁笔费评章的原因也道出了雪梅各执一端的根据读完全诗我们似乎可以看出作者写这首诗是意在言外的借雪梅的争春告诫我们人各有所长也各有所短要有自知之明取人之长补己之短才是真理这首诗既有情趣也有理趣值得咏思
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